[previous chapter]
It’s early days yet. I know that. And if I didn’t know it, I’d certainly have to suspect it, because everybody around here keeps telling me that. “Just wait,” they say knowingly. “You’ll be busy soon enough. Then you’ll wish you had less to do.”
Very inspiring. These are the people I work with. My new colleagues. The people who are going to teach me all the basics about my chosen profession. And every single one of them has this barely-disguised malicious glee in their voices whenever they give me what I charitably call “advice.”
God, it’s not like I have nothing to do. I think what they mean is, “Pretty soon, you’ll be so swamped or worn down or apathetic that you won’t go asking questions, pointing out inconsistencies, or appearing to have something of a pleasant day.”
But seriously, there something not right here. Yeah, some people are seriously overworked. Take the scant junior-level staff. We young and wide-eyed few seem to be cranking on stuff much of the day. Karen may be in there sighing and sipping tea, but she’s getting stuff done almost every minute she’s here. And the couple of people working production never seem all that idle. They’re quietly working on repetitive-stress injuries and burning their retinas with impressions of their Mac screens.
But the editors? Half the freaking day on the phone! And not just to agents and authors, as they would have you believe. Not unless they’re throwing a lot of business toward people on their alma maters’ alumni committees. Or the to their significant others. Or to their doctors, friends, or credit card companies. Yeah, I realize I’m new to publishing, but I’m not new to this world.
Tuesday, March 28, 2006
Wednesday, March 22, 2006
shakira, la impresionista
Labels:
art styles,
artists,
brookline,
midriffs,
pop stars,
television,
women
Monday, March 20, 2006
p.s.p. (public service pancakes)

Again, I feel I must do something for those who seem to be stumbling around all the wrong places looking for something they suppose I can provide. Honestly, at this rate, I think I might take a shortcut to blog greatness by specializing in the myth, lore, and love of panfried bread. That's what people love, worldwide.
Fine, folks. There are your pancakes. A picture of pancakes. A photograph of perfectly cooked, overly buttered, and utterly inviting pancakes. I am the Batter Ambassador, bringing the world closer to itself through heavy breakfast carbs. Get an eyeful!
And you're welcome.
Wednesday, March 15, 2006
Tuesday, March 14, 2006
Working Title, part 1
I have a degree, I have a cubicle, and I have a very slow PC.
This is what I’ve worked toward for nearly a decade and a half. You can almost hear the angels singing on high, can’t you?
Karen has the cubicle next to me. I can hear her sigh at least every eight minutes or so. I think that may be how she punctuates the end of most of her tasks. Type up a letter. Sigh. Take a phone call. Sigh. Review a chapter of edited copy. Sigh. Process a payment request on a new book. Sigh. It seems to be how she measures out most of her day.
She also goes to make cups of tea about half a dozen times during the day. I don’t know if she sighs then, because what passes for a lunchroom around here is down the hallway, well out of hearing. But I hear her get up and tread down the hall away from me, and then I hear her tread back about five minutes later, her spoon tink-tink-tinking against the side of her mug as she stirs a dollop of honey into the herbal mixture. She sits. The earthenware mug clunks on top of her maple-veneer desk. Then she half-sighs, although during teatime it sounds almost like satisfaction rather than frustration. But only during teatime.
Not counting her internship, Karen has been in publishing for two years. I’m pretty sure, though I’m still learning, that she didn’t bring the sigh with her. I think she got that here. I’m scared that’s what’s in store for me.
More on all that later. There are four stacks of unsolicited manuscripts in the empty cubicle in the corner. Someone—I don’t know who—tacked up a strip of paper on the outside of the cubicle. Printed in 128-point type—what is it, Copperplate Gothic Bold?—are the words The Doldrums.
Oh, how right they are. Those four stacks are each about a Billy Barty high. And God knows how long they’ve been piling up. Now it’s my job to sort through them, log them, and respond to them. And that’s just one of my back-burner tasks. I have about a hundred and fifty other chores that take precedence. Meanwhile, the Billys just keep getting taller day by day.
So, to answer the question that I now imagine someone reading this might ask: No, I don’t really have time to be writing this kind of stuff on the side. But I really, really have to. I just have to carve out a little time for myself. Otherwise there’s a perpetual sigh out there waiting for me.
In the past I’ve always found this kind of outlet the best way to keep myself from, you know, jamming a fork into my eye at times. If I can just have a little creative outlet, I can probably deal with all the mind-numbing tasks they pile on me.
And, man, they’ve been piling them on. I thought I was the new guy! It’s been a month, and I’m already wondering how this little publishing company has limped along until now with all this stuff going undone. What kind of creaky, broken-down wagon have I hitched myself to?
All right. I really have to get to these response letters that Carrie wants me to write. She’s been dropping the query letters with her extensive Post-It Note comments in my inbox for the past couple of hours. I’m already learning to hate the sight of yellow squares of paper. They have yet to signify anything but drudgery for me.
Oh, and there goes Karen with the sighing again. Maybe I’ll join her this afternoon. Sighing in stereo. The editorial assistant anthem.
This is what I’ve worked toward for nearly a decade and a half. You can almost hear the angels singing on high, can’t you?
Karen has the cubicle next to me. I can hear her sigh at least every eight minutes or so. I think that may be how she punctuates the end of most of her tasks. Type up a letter. Sigh. Take a phone call. Sigh. Review a chapter of edited copy. Sigh. Process a payment request on a new book. Sigh. It seems to be how she measures out most of her day.
She also goes to make cups of tea about half a dozen times during the day. I don’t know if she sighs then, because what passes for a lunchroom around here is down the hallway, well out of hearing. But I hear her get up and tread down the hall away from me, and then I hear her tread back about five minutes later, her spoon tink-tink-tinking against the side of her mug as she stirs a dollop of honey into the herbal mixture. She sits. The earthenware mug clunks on top of her maple-veneer desk. Then she half-sighs, although during teatime it sounds almost like satisfaction rather than frustration. But only during teatime.
Not counting her internship, Karen has been in publishing for two years. I’m pretty sure, though I’m still learning, that she didn’t bring the sigh with her. I think she got that here. I’m scared that’s what’s in store for me.
More on all that later. There are four stacks of unsolicited manuscripts in the empty cubicle in the corner. Someone—I don’t know who—tacked up a strip of paper on the outside of the cubicle. Printed in 128-point type—what is it, Copperplate Gothic Bold?—are the words The Doldrums.
Oh, how right they are. Those four stacks are each about a Billy Barty high. And God knows how long they’ve been piling up. Now it’s my job to sort through them, log them, and respond to them. And that’s just one of my back-burner tasks. I have about a hundred and fifty other chores that take precedence. Meanwhile, the Billys just keep getting taller day by day.
So, to answer the question that I now imagine someone reading this might ask: No, I don’t really have time to be writing this kind of stuff on the side. But I really, really have to. I just have to carve out a little time for myself. Otherwise there’s a perpetual sigh out there waiting for me.
In the past I’ve always found this kind of outlet the best way to keep myself from, you know, jamming a fork into my eye at times. If I can just have a little creative outlet, I can probably deal with all the mind-numbing tasks they pile on me.
And, man, they’ve been piling them on. I thought I was the new guy! It’s been a month, and I’m already wondering how this little publishing company has limped along until now with all this stuff going undone. What kind of creaky, broken-down wagon have I hitched myself to?
All right. I really have to get to these response letters that Carrie wants me to write. She’s been dropping the query letters with her extensive Post-It Note comments in my inbox for the past couple of hours. I’m already learning to hate the sight of yellow squares of paper. They have yet to signify anything but drudgery for me.
Oh, and there goes Karen with the sighing again. Maybe I’ll join her this afternoon. Sighing in stereo. The editorial assistant anthem.
Monday, March 13, 2006
Wednesday, March 08, 2006
Monday, March 06, 2006
Sunday, March 05, 2006
Detention Journal, part four
My new best friend with the beads in her hair is still back there. She started this new game a little while ago where she hums some song really, really softly and then slowly gets louder and louder. The farther away you are from her, the longer it takes until the volume increases to where you can hear her. As soon as the teacher reacts to the sound, she stops. Then she waits a while and then starts all over again.
This is the third time she’s done it, and I’m just starting to pick up a little tune that’s very similar to a very “empowering” Avril Lavigne song about how she didn’t give it up to whatever mean boy she’s just been dumped by. Or that she’s dumped. Whatever. It can’t be easy being an angry hot girl.
Anyway, my friend’s humming and she’s humming and she’s … ah! Just stopped. The teacher’s been staring at us for almost two minutes, trying to figure out who’s messing with her. My new best friend’s beads make not a sound. She’s awesome.
The other notable person in the room is this weird nerdy guy sitting right up front. I can’t tell what kind of identity he’s going for. He wants to be a punk, but he wants to be hip-hop too. In truth he’s neither. He has really scraggly long hair and huge glasses and the kind of extremely unfortunate acne that hits some kids superhard once their hormones start messing with them. I think he’s trying on different things to see where he fits. I’m sure he’s not done trying yet.
He tried to sit in the back of the room at first, but we all got rearranged as soon as the bell rang, and it was his dumb luck to get put in the very front. I wouldn’t be surprised if that’s always the kind of luck he has, dumb and unfortunate.
I don’t mean that in a mean way. That’s just the impression he gives. Like the way his whole body has an uncomfortable, burdened look. His shoulders are hunched over like he has a huge weight across them. And he sits so awkwardly that it makes you think he’s never sat any way that wasn’t awkward. He’s all sprawled out, slouched way down in his seat to where his butt’s almost completely off the desk and he’s practically sitting on his back.
He’s wearing dirty, torn jeans and a cheap, oversized sports jacket, the kind of jacket a young b-boy might get if he asked his grandparents for it for Christmas. It has some brand name sprawled across it in hard-to-read lettering, and that’s because it’s supposed to look like a name you’ve heard of, but it really isn’t. There’s something very thin and vinyl and bargain-store about the jacket. Plus, it’s dirty enough that you can tell he wears it all the time.
I don’t think the guy’s done any homework the whole time we’ve been in here. He just sits there and draws pictures that look kind of like his best pen-and-ink renderings of acid trips. There’s so much ink on the pages of his notebook that the paper’s kind of crinkly and heavy. And he’s got these smears of blue ballpoint pen ink on the sides of his hands from where they’ve rubbed the pictures while he’s painstakingly coloring in all the blobs and explosions he’s drawing. But he hasn’t stopped drawing for even a second unless he’s been shaking down the ink in his pen or turning a page. He just draws and draws. Maybe that’s the way the world looks to him. Who am I to say he’s wrong?
This is the third time she’s done it, and I’m just starting to pick up a little tune that’s very similar to a very “empowering” Avril Lavigne song about how she didn’t give it up to whatever mean boy she’s just been dumped by. Or that she’s dumped. Whatever. It can’t be easy being an angry hot girl.
Anyway, my friend’s humming and she’s humming and she’s … ah! Just stopped. The teacher’s been staring at us for almost two minutes, trying to figure out who’s messing with her. My new best friend’s beads make not a sound. She’s awesome.
The other notable person in the room is this weird nerdy guy sitting right up front. I can’t tell what kind of identity he’s going for. He wants to be a punk, but he wants to be hip-hop too. In truth he’s neither. He has really scraggly long hair and huge glasses and the kind of extremely unfortunate acne that hits some kids superhard once their hormones start messing with them. I think he’s trying on different things to see where he fits. I’m sure he’s not done trying yet.
He tried to sit in the back of the room at first, but we all got rearranged as soon as the bell rang, and it was his dumb luck to get put in the very front. I wouldn’t be surprised if that’s always the kind of luck he has, dumb and unfortunate.
I don’t mean that in a mean way. That’s just the impression he gives. Like the way his whole body has an uncomfortable, burdened look. His shoulders are hunched over like he has a huge weight across them. And he sits so awkwardly that it makes you think he’s never sat any way that wasn’t awkward. He’s all sprawled out, slouched way down in his seat to where his butt’s almost completely off the desk and he’s practically sitting on his back.
He’s wearing dirty, torn jeans and a cheap, oversized sports jacket, the kind of jacket a young b-boy might get if he asked his grandparents for it for Christmas. It has some brand name sprawled across it in hard-to-read lettering, and that’s because it’s supposed to look like a name you’ve heard of, but it really isn’t. There’s something very thin and vinyl and bargain-store about the jacket. Plus, it’s dirty enough that you can tell he wears it all the time.
I don’t think the guy’s done any homework the whole time we’ve been in here. He just sits there and draws pictures that look kind of like his best pen-and-ink renderings of acid trips. There’s so much ink on the pages of his notebook that the paper’s kind of crinkly and heavy. And he’s got these smears of blue ballpoint pen ink on the sides of his hands from where they’ve rubbed the pictures while he’s painstakingly coloring in all the blobs and explosions he’s drawing. But he hasn’t stopped drawing for even a second unless he’s been shaking down the ink in his pen or turning a page. He just draws and draws. Maybe that’s the way the world looks to him. Who am I to say he’s wrong?
Thursday, March 02, 2006
Monday, February 27, 2006
Happy Pancake Tuesday!!!
Oh, heaven have mercy. It's that time again, my young friends. Pancake Tuesday is upon us. Sure, if you're in New Orleans, go on and do what you have to do to get a string of shiny beads. Your parents probably won't ever see that DVD anyway. Probably.
As for the rest of us, we're going to be eating pancakes. And why not? Some people claim there's like this whole history behind it and everything. For more, check out this "lovely" Aussie site where you can see a picture of Dwight Eisenhower grillin' up a mess o' pancakes. Like Ike? You'll love his pancakes.
Ooh, and I really have to insist that you take a peek at this site as well. Some of the same information, but with so many references sure to make an English schoolboy titter (titter! ha!) that I hate anyone to miss out. You'll see what I mean. And if you don't, well, don't admit it in front of the others. They won't think you're cool. Just laugh when everyone else does. That's called "socialization." You'll get the hang of it.
Now get out of here. Seriously. Go make some pancakes and prepare for the self-flagellating slog of Lent. I have to go get my hairshirt from the cleaners.
As for the rest of us, we're going to be eating pancakes. And why not? Some people claim there's like this whole history behind it and everything. For more, check out this "lovely" Aussie site where you can see a picture of Dwight Eisenhower grillin' up a mess o' pancakes. Like Ike? You'll love his pancakes.
Ooh, and I really have to insist that you take a peek at this site as well. Some of the same information, but with so many references sure to make an English schoolboy titter (titter! ha!) that I hate anyone to miss out. You'll see what I mean. And if you don't, well, don't admit it in front of the others. They won't think you're cool. Just laugh when everyone else does. That's called "socialization." You'll get the hang of it.
Now get out of here. Seriously. Go make some pancakes and prepare for the self-flagellating slog of Lent. I have to go get my hairshirt from the cleaners.
Sunday, February 26, 2006
buckwheat pancakes (not a joke ... an actual recipe!)
People often come to this blog--home to short fiction, digital snapshots, and occasional musings on the amusing--for actual pancake recipes. I feel bad for these people. Clearly the name of the blog is confusing to them, and in my small way I am therefore wasting precious seconds of their time. Worse, many of these visitors, from what the site's visit log indicates, are peeking in from far-flung areas of the planet: Russia, China, South America, Belgium, Detroit. What kind of ambassador am I being if I lure them in with the word "pancakes" and then fail to deliver on their expectations? Why, that's far too much like life!
Here then is my goodwill gesture. I hope it's delicious.
Buckwheat Pancakes
(makes 12 pancakes)
1 cup buckwheat flour
1 cup whole-wheat flour
1 egg, beaten
1 tablespoon baking powder
2 cups water
1/2 cup unsweetened applesauce
1 teaspoon vanilla extract
In a medium bowl, combine the flour, egg, and baking powder. Mix until evenly blended. Add the water, applesauce, and vanilla extract. Stir until only small lumps remain.
Heat a large nonstick skillet coated with cooking spray over medium heat. Working in batches, pour the batter into the pan and cook for 2 to 3 minutes, or until the bottom is browned. Turn and cook for 1 to 2 minutes longer, or until golden brown.
Remove to a plate and keep warm. Repeat to make a total of 12 pancakes.
Here then is my goodwill gesture. I hope it's delicious.
Buckwheat Pancakes
(makes 12 pancakes)
1 cup buckwheat flour
1 cup whole-wheat flour
1 egg, beaten
1 tablespoon baking powder
2 cups water
1/2 cup unsweetened applesauce
1 teaspoon vanilla extract
In a medium bowl, combine the flour, egg, and baking powder. Mix until evenly blended. Add the water, applesauce, and vanilla extract. Stir until only small lumps remain.
Heat a large nonstick skillet coated with cooking spray over medium heat. Working in batches, pour the batter into the pan and cook for 2 to 3 minutes, or until the bottom is browned. Turn and cook for 1 to 2 minutes longer, or until golden brown.
Remove to a plate and keep warm. Repeat to make a total of 12 pancakes.
Thursday, February 23, 2006
Monday, February 20, 2006
Sunday, February 19, 2006
Pancakes Dunst on Hair Care
Lorinda had cleared her calendar so she and Pancakes could spend the day together. She imagined a picture-postcard afternoon: a medley of fairy tales at the puppet theater, high tea, light shopping. But already it seemed she would have to contend with her daughter’s argumentative behavior.
Pancakes had been excited about the puppet theater, but soon after the performance began she had reacted to key moments with exasperated sighs that did not go unnoticed by the other people sitting near them. At intermission, Pancakes complained that the material wasn’t “challenging enough,” but she didn’t want to leave. “I think I should see what else they come up with,” she told her mother. “Maybe part of the problem is their source material.” So they stayed, but Pancakes didn’t seem any more satisfied with the latter half of the show.
Later, when they were in a cab and heading across town to have tea, Pancakes offered her critique. “Not a bad production,” she admitted. “I guess I’m just surprised by the kinds of messages they’re sending to kids.” This last part she said as if she were not herself only a few months into being nine.
Lorinda felt on shaky ground. She suddenly wished Emiliano were with them. He enjoyed these kinds of conversations with Pancakes. Plus, then she could hit him on the arm for turning their little girl into a precocious literature critic. “What messages are they sending, honey?”
“Well, like Rapunzel. She’s just so passive about her whole situation. All she does is grow her hair!”
“What’s she supposed to do?” Lorinda asked. “She’s in the tower. She can’t escape from there. It’s too far down.”
“I don’t know,” Pancakes said. “But I don’t see how having a guy climb up there is going to help. She needs to get down.”
“But she can’t get down. She needs someone to come help her. And her true love does that.”
“I don’t buy it,” Pancakes said. That prompted an eye-roll from Lorinda. Pancakes grinned.
“What don’t you buy?” Lorinda asked.
“If her hair is long enough for somebody to climb up, why doesn’t she climb down?” Pancakes asked. “She could cut off her hair and make it into a rope. Then she could just climb down.”
“But what about her true love?” Lorinda asked. “What does he do?”
“Well, if he’s her true love, then they’ll meet anyway, right?” Pancakes asked. “Otherwise, he was just in the right place at the right time. Anybody could have come by and climbed up there. I bet if Rapunzel figured out how to get down on her own, she might meet some other guy. The way it is, she just waits around for whoever comes along.”
Pancakes had been excited about the puppet theater, but soon after the performance began she had reacted to key moments with exasperated sighs that did not go unnoticed by the other people sitting near them. At intermission, Pancakes complained that the material wasn’t “challenging enough,” but she didn’t want to leave. “I think I should see what else they come up with,” she told her mother. “Maybe part of the problem is their source material.” So they stayed, but Pancakes didn’t seem any more satisfied with the latter half of the show.
Later, when they were in a cab and heading across town to have tea, Pancakes offered her critique. “Not a bad production,” she admitted. “I guess I’m just surprised by the kinds of messages they’re sending to kids.” This last part she said as if she were not herself only a few months into being nine.
Lorinda felt on shaky ground. She suddenly wished Emiliano were with them. He enjoyed these kinds of conversations with Pancakes. Plus, then she could hit him on the arm for turning their little girl into a precocious literature critic. “What messages are they sending, honey?”
“Well, like Rapunzel. She’s just so passive about her whole situation. All she does is grow her hair!”
“What’s she supposed to do?” Lorinda asked. “She’s in the tower. She can’t escape from there. It’s too far down.”
“I don’t know,” Pancakes said. “But I don’t see how having a guy climb up there is going to help. She needs to get down.”
“But she can’t get down. She needs someone to come help her. And her true love does that.”
“I don’t buy it,” Pancakes said. That prompted an eye-roll from Lorinda. Pancakes grinned.
“What don’t you buy?” Lorinda asked.
“If her hair is long enough for somebody to climb up, why doesn’t she climb down?” Pancakes asked. “She could cut off her hair and make it into a rope. Then she could just climb down.”
“But what about her true love?” Lorinda asked. “What does he do?”
“Well, if he’s her true love, then they’ll meet anyway, right?” Pancakes asked. “Otherwise, he was just in the right place at the right time. Anybody could have come by and climbed up there. I bet if Rapunzel figured out how to get down on her own, she might meet some other guy. The way it is, she just waits around for whoever comes along.”
Saturday, February 18, 2006
Friday, February 17, 2006
Wednesday, February 15, 2006
Sunday, February 12, 2006
Thursday, February 09, 2006
Detention Journal, part three
Is there some reason, by the way, that no one’s talking about how we’re reliving the Red Scare these days? Terrorism is the new Communism! Enforced Liberation is the new Containment! Gross Unchecked Consumerism is the new Gross Unchecked Consumerism!
Has it not occurred to anybody? Or is it just that our schools are really as bad as they say? Being in lockup makes you think about these things.
Well, being in lockup in addition to, say, all the geopolitical events of the past several years.
There’s this girl over in the corner who has on more makeup than anybody I’ve seen. At least anybody who wasn’t in a music video or playing a hooker in a movie. Or even on Jennifer’s sister, who one time had on so much eyeshadow that she couldn’t open her eyes all the way. We all thought she was sleepy for a whole day.
Anyway, the girl with the makeup never seems to turn her head. I keep seeing her looking around, but she does it all with her huge, huge eyes. Her mouth is all pursed up like she’s been eating supersour Altoids. She’s been like that ever since the teacher caught her text-messaging someone on her cell phone an hour ago and took it away. She got so annoyed, like she never expected it. Why was she surprised?
Plus, the teacher didn’t think to turn the phone off when she confiscated it, and in a couple of minutes you could hear it ringing from her desk drawer. There was some musical ringtone on it, and three separate people got the briefest of grooves on before we were all hushed up and she finally figured out how to switch it off.
Has it not occurred to anybody? Or is it just that our schools are really as bad as they say? Being in lockup makes you think about these things.
Well, being in lockup in addition to, say, all the geopolitical events of the past several years.
There’s this girl over in the corner who has on more makeup than anybody I’ve seen. At least anybody who wasn’t in a music video or playing a hooker in a movie. Or even on Jennifer’s sister, who one time had on so much eyeshadow that she couldn’t open her eyes all the way. We all thought she was sleepy for a whole day.
Anyway, the girl with the makeup never seems to turn her head. I keep seeing her looking around, but she does it all with her huge, huge eyes. Her mouth is all pursed up like she’s been eating supersour Altoids. She’s been like that ever since the teacher caught her text-messaging someone on her cell phone an hour ago and took it away. She got so annoyed, like she never expected it. Why was she surprised?
Plus, the teacher didn’t think to turn the phone off when she confiscated it, and in a couple of minutes you could hear it ringing from her desk drawer. There was some musical ringtone on it, and three separate people got the briefest of grooves on before we were all hushed up and she finally figured out how to switch it off.
Subscribe to:
Posts (Atom)










